fairytale meme: 7 book adaptations – [1/7] spindle’s end by robin mckinley
magic in that country was so thick and tenacious that it settled over the land like chalk-dust and over floors and shelves like slightly sticky plaster-dust. (housecleaners in that country earned unusually good wages). if you lived in that country, you had to descale your kettle of its encrustation of magic at least once a week, because if you didn’t, you might find yourself pouring kissing snakes or smile into your teapot instead of water.
A few reasons and none of them are pleasant, so that’s your warning.
1 – The Promise. Sam is always wondering when the right time is to take The Promise seriously. Remember that S08 is quickly followed up by S09′s autonomy-violating introductory chapter, so it’s no surprise that Sam is willing to take The Promise seriously. After all, he forced Dean out of the game between S05 and S06, himself (or at least he believes that Soulless!Sam was “himself”), and then he goes blithely on into Season 9 with no reason to think that Dean would directly violate everything he stands for by stuffing an angel into him. For Sam, there really was reason to take The Promise seriously at that time. To everything there is a season and there was no reason for Sam to assume – staring down the barrel of the absence of his friend Cas, and his brother Dean, his father-figure Bobby – that it wasn’t the right time in life for him to hang up his gun belt. After so much loss, how could he really expect to keep plugging away? He had no one to watch his back. He probably thought that all three deaths were on him somehow. And, as we were about to see when he bumped into Amelia for the first time, this all also drove him to an emotional breaking point.
2 – This show puts too much fucking stock in Crowley. And keeps doing it. Crowley was the one to show up and say “they’re GONE GONE GONE and so am I” and leave Sam alone. A gaping absence sat in Crowley’s wake. The big-bad was taken care of. Dean, Cas, Kevin, Meg, even Crowley – all fucking gone. Since they keep cramming Crowley onto the promotional posters and material for the series well into S12, we have to accept that they think he’s an essential part of the story (I still don’t know why and I remain on #TeamCasKillsCrowley because I sincerely want to see it happen). That understanding, unfortunately, drives us to the conclusion that, when Crowley says something, we have to measure the value of the statement with an unfair weight on the pro-side. He did want Dick dead. He did contribute to that. And the way the show has been telling the story since then, Crowley thinks he belongs in the fucking storyline. So, unfairly weighted in that way, Sam had a reason to believe Crowley when he dusted his hands and said “You are well and truly on your own.”
3 – Sam had reasons to believe Crowley…. not the least of which is that there have to be side-effects to spells… and all of S06. Due to the time-crunch and Cas’s slow recovery, they didn’t consider the consequences of bone-zoning Dick. Purgatory, for all Sam knew, did = death. Sam had no proof otherwise. To our knowledge, everything outside the realm of earth is death. They had to die to go to heaven. They had to die to go to hell. And Sam is still under the assumption (probably always will be) that he’s bad and his death means nothing less than an eternity in hell without any convenient layover in Purgatory, first. Dying isn’t the way to save Dean and the whole point of Season 6 was “it’s really fucking hard to get into Purgatory.” (Which is why 08.19 is rightly considered a massive cop-out!!!)
4 – Winchester lives sometimes take place in real life. If your friends think Sam could have yanked a reaper out of the veil and demanded a ride to Purgatory after researching it or something, please remind them that Sam Winchester is, in fact, a human boy who was in mourning and then met a smart, clever, beautiful woman and, yes, despite what anyone may think, he has a right to a chance at a happy life. If they don’t agree with that, they can fucking stuff it.
5 – The presence of the Leviathan, not to mention the episode title of 07.23, both made the point of telling us it was Survival of the Fittest. Dick’s plot for SucroCorp was all about culling the weak and using humanity as meat stocks for what he thought of as the superior race – Leviathan. Now, this is my weakest defense, so that’s why I’ve saved it for last. When in doubt? Fall back on the shithouse show writing. So, Kevin was considered skittish and weak, people have been accusing Dean of being a weakass suburban soccer dad since S06, not to mention his best friend Cas has been gone to him so long that the weaker, crazier version of him that’s emerged is cold comfort. Castiel is not entirely useful. Dean is only grinning and bearing it. But, even after getting his soul back, Sam has been strong. Sam will always be strong, imo, but the show is telling us, flat out, that, at the end of Season 7, he his the sole survivor and therefore the fittest. He’s still standing. He remains alive. So, perhaps it is Sam’s duty to go on. To keep living for the people who can’t anymore. In the absence of the supposed master-race, when the Leviathan couldn’t cut it, Sam Fucking Winchester could cut it. Now, I do consider Sam stronger and fitter than everyone else. To my mind, the canon reads like everyone else is on a path to destruction but Sam will find himself chagrined to be the one left alive at the end of all of it, telling their stories, teaching new hunters, writing down books worth of knowledge. I don’t buy the storyline Jensen dreamed up (that so many people seem to like) about Dean handing the Impala’s keys off to a stranger and revving a motorcycle off down the road, alone. Frankly, I don’t see how Dean is physically, emotionally, or spiritually strong enough to go on, on his own, for the rest of his life. Considering that’s the logical conclusion of the whole story arc, I kind of buy Sam not looking for Dean in Purgatory, though I never did 100% buy that he’d be able to step away from Hunting for the rest of his life. Now that we’ve seen how Mary couldn’t even give it up after having a kid, I’m pretty fucking sure I’m right about that.
In conclusion, if people hate Sam for not looking for Dean when he was in Purgatory, I have to wonder what the fuck more they want from the guy who literally jumped in a hole to save the fucking world. Sam deserved his peace and it’s not like that peace was an easy one. It’s not like he could sleep through most nights. He couldn’t accept Amelia’s dad being nice to him without pressing the scar on his hand in case it was one of Lucifer’s delusions. And when he realized it wasn’t gonna work out with Amelia and her husband hanging out in the periphery, he couldn’t even have that peace he’d found. Dean didn’t go trying to drag Sam out of hell and that might throw them onto even footing as far as the show is concerned. But if Sam never even went back to Rufus’s cabin (where he ended up finding Dean), I still would have understood.
We circle back, all the time, to the idea that what’s dead should stay dead. It’s not as if multiple resurrections take any merit away from that principle. Yes, maybe the earth is only still around because the Winchesters protect it. But it’s just as possible that the Winchesters only have to protect the earth because their continued existence puts it in danger. That’s what the entire Supernatural universe is about – the unknown weight of the two sides of that argument.
In agreement with you that S09 and S10 were bad to Sam – hell, they were just bad in general. S11 at least let Sam out from the back seat. And, despite the torture, the show seems to feel like doing him more justice in the current season so long as he agrees that not-hunting is no longer an option.
11.10 The Devil in the Details – Let’s face it, the return of Lucifer was, more than anything, about pandering to the people who wanted to see Pellegrino’s Lucifer come back. I had really hoped we put him to rest again by proving that he doesn’t know how to be anybody except Hallucifer anymore but, judging by last week’s ep, it would seem I’m out of luck. As far as torture-porn goes, you look at 12.01 and 12.02 and think this is the worst shit they’ve done to Sam on the show until you turn around and look at 11.10 and 11.17 again. Putting Sam back in Lucifer’s company is fucking torture. Making him say The Big No to him again is not just boring but unnecessarily cruel, doubly so after the bullshit pulled by Gadreel. Forcing him into a cage to talk about their time in hell like it’s a set of fun, fond memories when it was actually guaranteed horror and torture (and possibly endless rounds of sexual assault if you follow the theory on Hallucifer’s innuendo), is flat-out disgusting. Asking Sam to save the world this way again – I repeat – is both boring and insulting. There was a definite clock running down on a predestined apocalypse when Sam agreed in 05.22. Simply judging by the fucking episode number, we know the same’s not true for 11.10. So much was up in the air at this time and there’s plenty of time, still, for kicking around more options. So this episode was just poor, overall. Gratifying as it was to see Sam say “no” and mean it and not try to sacrifice himself, it was ruined by Pellegrino’s ham-handed new cartoon Lucifer that they’ve somehow decided is the best version for current canon. It makes no sense. This version of him acts like Hallucifer who – we have confirmed – was not real. Even if Hallucifer was Sam’s projection of Lucifer as he had come to be in the cage during their time together, I still find it hard to believe. The way Lucifer was before Swan Song does not balance out with the unhinged version of him. Plus he’s the fucking Devil and we don’t have to believe anything he says or does.
11.17 Red Meat – Much as it was, yes, torture porn, and probably satisfying to the rabid fucking five-year-olds who still somehow hate Sam, I loved 11.17 for doing him true justice. After the lifetime of beatings Sam has taken, yeah, I do think it would take unloading a few full clips in him to fully kill him. He has become a tough bastard and he was pretty damn tough to start off with. I believed and cheered every moment of that episode. Again, the show is tiring itself out and you can’t place six more episodes after a truly life-threatening ep and expect us to think one of the main characters really has died. But even without being able to suspend that disbelief I hurt for him and I felt every one of his labored breaths stagger and sear up my own throat as he struggled. It felt so good because Sam kept slugging. He kept killing the fucking bad guys as he bled out because as long as he was still breathing and blinking he knew it wasn’t the end yet and he fucking well could. I know it was a hard ep. And, yes, I hate that we’re still beating the shit out of the man who sacrificed himself to save the world – the man who keeps trying to sacrifice himself for everyone else – but I did really fucking love the ep. It ranks up there with 02.12 and 08.17 in my book.
(I must mention that it also lends to my not-so-secret theory that the Winchesters are accidentally making themselves immortal. It’s already a fact of this universe that messing with death and with the body’s limits and with mortality itself has varied consequences. In my ideal ending to the series, Sam and Dean have simply died and come back so many times that they kind of get passed over by death at a certain point and stop dying entirely. They make a different species out of themselves completely by accident and end up guarding the world forevermore with Cas and whatever other hunters they accidentally train to be as good as them.)
(No, I still haven’t written my Highlander AU.)
11.23 Alpha and Omega – God owes Sam, Cas, and Dean more explanation and repayment than he will ever give, bottom line. We didn’t get Cas’s talk with his father and we got our poor lil Sam all excited and stuttery about having their Heavenly Father over to visit but we didn’t get a truly fulfilling conversation with them. God just confirmed that he was ignoring the hopes and prayers. Just confirmed that he hasn’t given a shit until now. And Sam didn’t deserve that. Sam is better than his own maker and so, on the other hand, I think this episode served a better purpose. I don’t see Sam quitting in S12. He’s endured the ultimate in disappointments and he knows, now, that he’s a more conscientious and caring person than his own God. I think that has driven him to accept that his best is more than enough. That he is more than enough and that he is as good as anybody can be. Probably better.
12.01 Keep Calm and Carry On / 12.02 Mamma Mia – So in all honesty, I’m not ready to relive these episodes. Please don’t make me lol. The torture. THE TORTURE. It was unnecessary. We could have done so many other things. Shit, we could have simply started the season off with monsters of the week every fucking week and ended EVERY damn episode with ~mysterious figures~ coming up behind them killing everyone we saved. That would have been plenty sinister enough and would have been frustrating in a way that was worthwhile. We did not. DID NOT. need to see all that torture happen to Sam. He has literally been through worse. He’s been through worse as recently as SEVEN EPISODES AGO. So it was just basically time for Dean to reconnect with Mom and hook her back up to her hunting wires in the present day. The introduction of the British Men of Letters also has me wondering both ways since the season break – either they’re a commentary on the totalitarian type of regime our country signed up for in allowing Trump’s win, OR they’re commentary on what happens when you let foreigners into your country. The management of this show is so fucked up that I wouldn’t be surprised if it was either one or both. Regardless, they can’t torture Sam in a way that hurts more than coming up behind the people he left safe in their beds after a hunt and capping them. He clearly has a place to pile all these endless amounts of physical and psychological pain (or, you know, the writing is bad and they’ve just decided they can’t be bothered admitting that Sam should shop for a psychologist or have a best friend or a significant other DON’T GET ME STARTED) so the real hurt is still yet to come – when they realize the people they’ve been helping take a foothold in their own territory have actually been “sweeping up” after them. How fucking livid is Sam gonna be? (Looking forward to it, gotta admit.)
12.04 American Nightmare – The end of this episode was crushing. The end of this episode is why I can’t wait for Sam to find out what the BMOLs have been doing and chase them to the coast like they’re the Indominus Rex and Team Free Will is a family of raptors and Mary is lurking in the water about to eat the bad guy alive. He deserved to have Magda in his life. Someone to talk to; someone who would need to talk to him, too. Ripping Sam Winchester’s potential friends, family, lovers, students, and mentees away from him is doing nothing but pissing me off and I really hope the end of the season is all-out war with the BMOLs instead of this wet-noodle Crowley/Lucifer bullshit.
I think I had more to say along the way, but I’ve now spent a couple hours organizing my thoughts here and they got lost. Anyway, thanks for asking about these. I know I don’t have especially hot takes on Season 12 thus far, but, to be fair, I haven’t watched the eps as many times as I’ve been able to watch the eps of previous seasons. The unfortunate side-effect of getting a real job over the past two years lol.
And the Beast is still this 8 foot tall hulking monster with horns and massive claws and fangs and when she turns back into human she’s still buff as shit and her girlfriend is small and they open a library together also the candle and the clock are gay
This is what people mean when they talk about the “gay agenda”
if you want a story about gay people make your own don’t steal someone elses idea
Alright, listen up you sorry excuse for a burnt crepe
The animated version of Beauty and the Beast is dedicated “To our friend Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful.”
Why?
Because the lyricist for the movie was Howard Ashman, a gay man who died of AIDS, only a few months before the release of the movie.
The version of the story you love has always had queerness in it.
It’s a story written by a gay man dying of AIDS, of someone who was cursed, whose time was running out and their death was coming, and the world wanted to hasten it along instead of helping, instead of loving him and understanding that he was never truly a monster.
It’s never belonged to you, not all the way. The soul of the Beast is queer.
“Oh, but the original version of the fairy-tale”
Fine, fuck you.
Gay version of the Little Mermaid, then.
You know, the one which was written by Hans Christian Andersen, a gay man who watched the love of his life marry a woman.
The original version story ends in tragedy, but with the idea that while the mermaid could not be with the man she loved, she does eventually gain a soul and find peace, when he was a gay man in a time when that felt denied to him.
Disney changed the ending of the Little Mermaid, the lyrics of which were also written by Howard Ashman, and gave her a true happy ending.
Now, let’s honour the inherent queerness of the story and acknowledge that we are in a time when gay people can be happy, they can be with the ones who we love, and make that the story.
Damn right that’s part of gay agenda. Gays in space. Gay mermaids. Gay Beasts. Gays goddamn everywhere there’s a good story, because it’s about damn time.
Watch as we take over every story that you thought belonged to you and make them delightfully, blatantly, queer, just to fuck with you, specifically.
Happily ever after.
Also:
Fairy tales and Shakespeare cannot be stolen. (An argument can be made, given the way Shakespeare magpied his way through folklore, given the way his narratives have slithered into Western consciousness, that at this point, they’re the same thing.) They are works transformed by the telling.
Would you tell Disney they stole all their stories? How about Robin McKinley? Stephen Sondheim? Me? All the people who work in fairy tales, who use them as building blocks, as common ground to set a stage, we’re not stealing, we’re continuing a grand and human tradition.
This isn’t “the gay agenda.” If anything, this is “the straight agenda.” Laying claim to a thing that human nature itself says has to change and shift and flux and grow to survive, and saying “oh, no, if you change this one thing, this load-bearing thing, the story is destroyed.”
Fuck that. Ain’t nobody strong enough to kill these stories.
Hush: A serial killer targets a deaf woman in her home only to have her own his ass.
You’re Next: A group of masked killers descend on a family dinner only one of the guests is an aussie expat who grew up on a survivalist commune.
No One Lives: A bunch of two-bit criminals accidentally kidnap a serial killer. This goes about as well as expected for them.
Gone: Police don’t believe a girl when she says her kidnapper is back and behind the disappearance of her sister so she takes things into her own hands.
PS: don’t bother with Julia X or The Final Girl – they’re both shiiiiiiitttttt.
I’d like to add:
From the Dark – Couple on a trip through the Irish countryside have car trouble, encounter a creature that must remain in the darkness, female protagonist eventually decides to just kick fucking ass
Splinter – Not your average zombie movie by a long shot, mostly because it’s not really zombies. Protags get inventive and fight back.
The Descent – An A+ movie on its own, and an A++ movie as far as representation, as it’s basically an all-female cast with tiny walk-on dude parts. A group of lady friends who enjoy extreme sports and spelunking decide to go exploring in this one cave. Except it’s the wrong cave.
I Am Not a Serial Killer – Kid thinks he’s so ~edgy~ and psycho, but then encounters someone…or more accurately someTHING…that actually is. Kid who thought he was incapable of caring about humanity decides to find a way to save people.
I feel like there are more… Like, I can’t recall if The Hallow (NOT to be confused with The Hollow) had that, too. You could arguably say Babadook, but I honestly have a completely different interpretation of the ending… But there are more. I might add them as they come to me.
I mean, these don’t really have the evil cackling, unless you’re in the audience and going “FUCK YEAH, FUCK HIS SHIT UP, GIRL! DAMN!” But they have people who don’t just run away from the monster, and instead take charge to kick the monster’s ass.
I DID NOT REALISE I AM NOT A SERIAL KILLER WAS OUT
Also The Descent fucked me up in the best way, what a gift of a movie
So, tumblr’s 10 year old today. instead of doin the usual routine and jokin about what an apocalyptic sci-fi hellscape it is and roast its management, I just wanna say; I appreciate this weird old place. I’ve had some great times here. some bad times, and some legitimately surreal times too. But I can sincerely say I don’t think I’d be the same person or met as many wonderful people if I’d never signed up for this weird, weird, weird, absolute nightmare of a blogging site. I… love you tumblr, somehow, and if I can’t say it today then I never will. Thanks tumbl. Please fix your site
2017 2/16 Full torso ‘cracked’ #MUPFX application by myself and @goryjedi – epidode 1212 #Supernatural #SPN #spnfandom #makeupeffectsartist #makeupartist (X)
2017 2/16 Silicone wound with blood rig applied by myself & @goryjedi on the always lovely Misha Collins. Prosthetics made by LSFX STUDIO for #Supernatural #SPN #spnfandom #MUPFX #makeupeffectsartist (X)
2017 2/16 I think we broke Misha. #makeupeffects by myself and @goryjedi for #Supernatural (X)
explicit | steve rogers/bucky barnes | 22,500 words | completed
warnings: no major archive warnings. canon typical violence.
The Army owed him leave and 5 million dollars, so Steve Rogers takes the time to get therapy for PTSD and studying law at Georgetown University. When a Supreme Court Justice is assassinated on the street in late January of 2014, Steve follows a hunch that the Justice was killed not for the sake of politics but for greed. Following a a trail of near-extinct butterflies and corrupt real-estate developers, Steve arrives at the Justice’s holiday cabin in Lake Tahoe, Nevada.
While he’s searching the Justice’s papers, his best friend Bucky Barnes breaks into his kitchen, still alive and on the run from his handlers. His memories are dim, but he never forgot Steve…and when he was ordered to quietly snuff his friend’s life, he broke away, ready to come in from the cold.
But Bucky comes back into Steve’s life with HYDRA on his his heels. They want their asset back, and Steve’s not going to give him up without a fight…
AND ALSO HOW INCREDIBLY INTELLIGENT AND PERCEPTIVE HE IS TO NOTICE AND ASSESS THE DANGER AHEAD OF TIME
ugh my feels for steve rogers
Because he’s so sweet and just GOOD, we forget how ridiculously dangerous Steve actually is. We all ooh and aah over the Winter Soldier and Bucky being a weapon, but he and Steve are essentially the same. The Winter Soldier is nothing but the negative image of Captain America. Steve has EVERY BIT of the capacity to do what Bucky does if not more, he just has the free agency to decide how to use it. And that’s terrifying.
the awesome thing about steve is not his strength, its how he uses it.
It’s not just his strength he uses to such awesome effect. He combines the strength with a hell of a lot of insight and everything he knows about tactics and strategy. Small locked-up spaces? Only got one hand to fight and defend himself with? These guys are his friends or that’s what he thought? Yeah, okay. His mind takes all of that in and processes and then he’s off to the races.