warnings: allusions to body horror, medical procedures of dubious authenticity
–
There are four people seated in the chief of medicine’s office, the sudden weight of their eyes enough to stop Castiel cold in the middle of opening the door. For a split second he stands there, stranded halfway across the threshold; he wonders, very briefly, if he can perhaps get away with closing it again and walking quickly around the corner. There’s a medidroid service closet there, and they certainly won’t mind the company.
“Dr. Novak!” Zachariah says, rising from behind his desk to motion him inside. “Come in, come in. Caf? Tea?”
“Are you giving this man bowlegs?” Naomi asks, staring at the osteogenesis readout. “Deliberately?”
“Go tend your own patients,” Castiel says with an irritable shooing motion, and Samandriel develops a sudden coughing fit that he insists, later, sounded nothing like laughter.
warnings: allusions to body horror, medical procedures of dubious authenticity
–
There are four people seated in the chief of medicine’s office, the sudden weight of their eyes enough to stop Castiel cold in the middle of opening the door. For a split second he stands there, stranded halfway across the threshold; he wonders, very briefly, if he can perhaps get away with closing it again and walking quickly around the corner. There’s a medidroid service closet there, and they certainly won’t mind the company.
“Dr. Novak!” Zachariah says, rising from behind his desk to motion him inside. “Come in, come in. Caf? Tea?”
Resentment rises in his throat, bitter as any cup the man could have offered. Castiel gives the room a tight smile without meeting anyone’s eyes and says, “No, thank you. I apologize for my tardiness.” He eases the door open just enough to slip inside, and closes it with regretful slowness behind him.
“No, thank you for coming on such short notice,” Zachariah says, warning stare above a murine smile. He turns to the seated people and spreads his hands as if to say, what can you do? “Our doctors have very busy schedules, as you can probably imagine.”
“Of course,” one of the seated men says. He’s tall but gaunt, and quite pale, hands gripping those of the woman sitting next to him. The dark smudges under her eyes match his. “Thank you so much for meeting with us, Dr. Novak.”
“It’s… my pleasure.” The couches are stiff and uncomfortable, meant only to give the illusion of welcome. Castiel walks reluctantly towards the group and perches on the edge of the closest one, back painfully straight. “Could I see the chart, please.”
The man only blinks at him. Zachariah tries to glare at Castiel without actually losing his sympathetic smile, and the result resembles constipation more than ire. “In good time, Dr. Novak. Before we do that… Mr. Winchester? Perhaps you’d like to tell us a little more about your brother?”
Castiel has no patience for this tactic, when the only thing that should bear on the clinic’s decision to accept the patient is, to put it bluntly, the viability of the project at hand. There is no other facility within a lightyear of Sol that can do what they do, but there are limits: of science, of compassion, of logic and feasibility. Unfortunately, there is also a reason Zachariah is the chief of medicine, and it has far less to do with his professional accomplishments than his ability to extract improbably large amounts of credits from grieving families.
“You can call me Sam,” the man on the couch mumbles, staring empty-eyed at point in the distance. “I, uh. God, where do I start? Dean’s— he’s older. My older brother. He practically raised me, he’s… he was all I had, for a long time.”
The woman smooths her hand over his knuckles, then looks at Castiel. “Dean is a member of the Interplanetary Corps. He was injured in the line of duty, in the colonies. He saved hundreds of lives.”
“Thousands,” the final person in the room says, speaking for the first time. He has a military posture, now that Castiel is looking for it, and he’s eyeing Zachariah with distaste. “Dr. Novak, the Corps owes Lieutenant Winchester a great debt of gratitude. We would appreciate your honest assessment of his chance of recovery and if possible, a chance to repay that debt.”
Small wonder Zachariah looks so eager, if the military will be funding this. “Our clinic prides itself on being the best in the solar system,” the man says, all but beaming at them. “And Dr. Novak and his team are among our most successful.”
“Could you do it?” Sam says. Hope looks agonizing on him. “Can you…?”
“I won’t know until I see the chart,” Castiel says, as gently as he can.
He hates this, hates that Zachariah has manipulated these people likely from the moment they contacted him and is using their pain to try to sway Castiel’s answer. It won’t work, but it will make the process as painful as possible.
“Of course,” Zachariah says immediately, like he hadn’t tried to stall it at all. A tap of his finger sends it to the datacom in Castiel’s pocket with a faint chime, and he pulls it out to look.
The attention as he reads is awkward and oppressive, Sam sitting quiet and still except for the rapid flicker of his eyes between Castiel and Zachariah. The military man frowns down at the table, arms folded over his chest. The woman rubs Sam’s hands like she’s trying to warm them, and says nothing. Zachariah merely waits, already certain in the outcome. Outside Zachariah’s windows, the bright light of Sol warms the thin verdant loops of the station’s bustling core, and shiptraffic makes a low hum in the ‘skies’ around, above and below them.
The dry, clinical language of the files does nothing to disguise the devastating nature of the damage done. Castiel has seen enough reports like these that it rarely registers, that strange dichotomy, but as he reads he’s struck anew by the contrast. The trauma surgeon at the closest Corps base to the battle hadn’t done more than clamp off arteries before putting this man directly in stasis, where he’d stayed until the transport ship hit Earth orbit three days ago. Where he still is now. The surgeon’s notes are terse, as though they hadn’t wanted to waste time saying more, and their assessment stark: the phrase REC KIA underlined at the end of a short paragraph.
At the very end of the brief paperwork is a bloodless diagram of injuries, flat views of the front and back of the body. It looks very much like a postmortem assessment. Castiel spends several minutes gazing down at it, fingers barely brushing the smooth screen as he traces the outline of the worst damage.
“Well?” Sam blurts into the silence of the room, apparently unable to wait any longer. “Can you— can you do something?”
“… you realize that you’re asking me to reconstruct this man from a head and half a torso,” Castiel says, unable to be anything but blunt.
Sam goes slowly grey, while Zachariah swells with rage. “Dr. Novak—”
“That wasn’t a no,” the military man observes. He’s watching Castiel with sharp interest. “Was it?”
“Ah. No,” Castiel agrees, a little surprised to realize it. The injuries approach the most severe cases he’s ever been asked to take on, but when he looks at the problems— matching tissue growth speeds for different systems, somehow keeping blood pressure and blood-dependent processes going in the midst of all that, the potential that this could take years— solutions begin to suggest themselves. He looks at Dean Winchester, and he sees potential.
“It will be very difficult,” he says, more to himself than anyone else in the room, “but I think…” He doesn’t know what he’s thinking, actually. Some instinct tells him, though, “There’s a chance. I think we can save him.”
Oh, man, anyone that can handle that level of attention to detail on a regular basis has my utmost respect and envy. I am super amateur-hour at anything I do on the fine arts side, but every now and again I’ll get the sudden urge to embroider or bead or make a friggin’ mayfly plushie and eighty finger-cramping hours later…
I’M STILL SO UPSET THAT I CAN’T FIND PICTURES ;____; But it happened. It existed. I was there, I poked holes in my fingers for two solid weeks sewing that thing!
There’s this really fantastic micro-genre of painting called love-letter painting.
In these paintings, you always see a woman with a letter, presumably from a husband or lover who’s gone off to war or whatever. And in the background, you see paintings on the walls. They’re scenic, so a stormy sky or a dirt road, and they exist to tell you the contents of the letter.
This painting is a perfect example. When you look at it, you know immediately what the contents of the letter are.
So the painter is painting a painting to show a woman’s imagination, you know? It’s like closed caption in reverse. Amazing.
pop vinyl is like, taco bell in demolition man. it won the vinyl toy wars, in that, through brute force and basic nerd culture appeal (”nerds” are about the easiest crowd of people to appease and market to), it soundly crushed the entire vinyl figurine scene circa 2011, 2012 and now is the sole vinyl toy company left standing.
I didn’t even realize that there were other companies making that crap. But it makes sense why there only had to be one as you have to get the licensing to appeal to these heathens
They were really like, 3d illustrations, alot of companies popping up to do limited runs of a gr8 illustrator’s designs in like 2003-2008….
It all began in asia, namely Japan, with post-war period like, resin kaiju and other figurines which were a huge collectable hit toward the 90s, 00s because of the sentiment and nostalgia attached to them
But things really started happening around the turn of the millenium, in hongkong, with Toy2R, who in 2001 launch the Qee (like keychain, get it?) and in Japan with Medicom Toy’s Bearbrick as a sort of nostalgic throwback to this style of toy – who, thanks to labels like Bathing Ape, it gained traction among the urban aesthetic and fashion cliques across the ocean in like, Sanfrancisco, Los angeles and new york. So suddenly in north america, in cutting edge urban fashion stores, these Qees and bearbricks started showing up. And in these cases, they started getting fashion label exclusives made, establishing their in vogue status in the west
Hot on the heels of this trend, american companies sprung up to do their own take on the bearbrick, which is when kid robot enters the scene and takes it to the next step and introduced the munny and dunny, blank customs and had up and coming artists use it as a template for limited run collections. And it got insanely popular and helped launch it into a fan scene
By 2008, “designer toys” and custom vinyl was hitting it huge, it was massively popular as an underground art scene thing. It was around this time that I discovered it while i was in newyork, on and off again visiting and periodically living with my girlfriend as a shit head 18 year old at the time lmao.
Anyway, this landed kid robot deep in the illustration and by extension, comic book scene, especially as they started doing limited run license productions like the Simpsons and Marvel comics. The simpsons series was a huge hit, appealing to nerds everywhere rather than artist types. Eventually they started showing up in comic conventions, namely SDCC in san diego
and then this is where Funko enters the scene, a basic toy company that in 2005 had been sold to a nightclub manager keen to monetize the fuck out of it. Funko were already producing licensed bobbleheads under the “Funko Force” and other collectable for nerd properties alongside other venders at comic cons.
Which puts Funko in the same space as Kid Robot and independent venders showcasing their personal vinyl toy projects at the height of vinyl toy popularity in 2009, 2010. Funko saw this trend and in 2010 decided they should launch their own brand of vinyl toys like the Dunny, called Funko Force 2.0
It debuted at San diego comic con 2010. I saw it with my own eyes. I didnt care because i never gave a shit about capeshit when i went to comic con lmfao. At the time there were soooo many half assed attempts to ape the vinyl toy fad from a number of collectable companies, that it never leaped out at me. Even Disney attempted to do it.
I was too busy getting the Kid Robot SDCC 2010 Exclusive shit, still the king of the roost and still generally doing creative shit with the medium.
Kid Robot at the time were collaborating with Yo Gabba Gabba
I was a fool not to notice what was happening, really.
Funko Force 2.0
It was a huge hit.
They quickly released and doubled down on the next step of their Line of toys: Pop!
Funko shot for licenses over independent artist collections and it just kept printing money. Demand was mega high. Stores and vendors that started putting out blind boxes from KR and other companies threw that out in favour of the more successful and lucrative Pop!
in a matter of years, the vinyl toy scene got hyper saturated by Pop! and licensed vinyl collectables that we have now arrived to this:
The designer toy scene exhausted itself and all that remains really, in
this wasteland of creativity, is Funko Pop! and it’s derivatives.
I have some friends who were producing independent designer toys in 2010 and interest in their work sloped off heavily because the whole vinyl toy scene was now hijacked and defined by banal consumer nerd culture. Anybody past the year 2010, who would be getting their first impressions of vinyl, were seeing Pop! and it really turned them off of it unless they really only care for Pop!’s products and nothing else besides. So anyone still getting vinyl are really only going for Pop! And my artist friends, they are still salty over it lmao
RIP IN PiECE
and this is why I have to stifle my displeasure when friends show me their newest Funko Pop….