
Day: August 14, 2017

‘Rare cultivars of Tuscan and Umbrian fruit put on a vibrant autumnal display at this ancient monastery in the High Tiber Valley. Isabella dalla Ragione has spent over 40 years searching convents, family estates and abandoned farms for forgotten species of tree, bringing many back from the brink of extinction. Rebuilt after an earthquake in the 18th century, the chapel of the monastery still functioned as such until the Second World War. Its sacristy contains traces of a 14th-century fresco. The art-school dummy on the armchair gets brought out to make fourteen at the dining table if there are only thirteen guests.’
Photography: Tim Beddow for World of Interiors, September 2014 ..
hannigram 12 do it for meeeeeeee
(x) 12. writer and editor au
Will is underdressed, soaking wet, and has a cup of black coffee in his hands that cost seven dollars; all of which are excuses he’ll give Alana when this client drops them for Simon and Schuster or someshit after seven years with Bloom Publishing and exactly one late afternoon meeting with him.
“… ‘a pile of pretentious garbage,’” the client, one Dr. Lecter, repeats. “I see.”
The wine bar cum coffee shop, Lecter’s preference for the meeting, is unnecessarily dim and a bit too warm. It almost makes the rain outside seem atmospheric, rather than a huge pain in the ass for anyone commuting downtown via public transportation instead of private car, or however Lecter got here. The man has a dusting of mist on the shoulders of his velvety-looking plaid suitjacket, but is otherwise dry down to his wingtips. Opposite him, Will’s buttery leather armchair is doing a great job preserving the puddle growing at the seat of his pants.
“Perhaps you’d care to elaborate,” Lecter says mildly, and Will sets his jaw.
“I’m sorry if that was too frank,” he says, because he owes Alana at least that much. “However, from the standpoint of your previous work, this particular manuscript seems… less developed.”
According to Will’s research, Dr. Lecter is a practicing psychiatrist who occasionally deigns to write what could charitably be called cerebral mystery novels. This book, if it ever makes it to publishing, is in the same vein, and in its current state absolutely unreadable.
“I see,” Lecter says again, fingers steepled in front of him. “Please, continue.”
Will takes a sip from the tall, narrow mug he’d been handed. It tastes weirdly fruity, but at least it’s hot. “At a thirty-thousand foot view? The themes you address are complex, and you don’t have enough progression in the plot to sustain interest or give emotional impact to the conclusion. This is basically five hundred pages of navel-gazing. This character, the murderer, wins by default– your protagonist thinks himself to death.”
Lecter has a faint smile, but before he can speak Will holds up a hand.
“Trust me, I know what you’re about to say. Your book is not going to be on airport bookstore shelves. It’s not for beach reading. Understood. That doesn’t absolve you from the basics of structuring.”
“An interesting choice of words,” Lecter muses. “One that implies I’m committing some kind of crime against literature, yes?”
“I wouldn’t go that far,” Will says, taking another sip of coffee. He’s starting to shiver, even in the heavy warmth of the small bar. “I’m just laying out the reasoning behind my comments in the draft.”
“I received them,” Lecter says. “I must confess, they are quite a bit more detailed that I am used to receiving from Mr. Chilton.”
And when they finally find the guy, I’ll be happy to swap back, Will promises silently. “All the editors at Bloom have their own styles. The goal is not to make this draft unrecognizable from the original, it’s to give it a little more life than your last monograph on psychotic symptoms and Graves’ disease.”
Lecter gives him a slow blink. “You’ve read that,” he says.
“I’ve read everything you’ve ever publically published,” Will says bluntly. Every bloody psychological thriller and niche entry in staid psychiatry tracts, and, “A lot of it was brilliant. Which is why I feel qualified to say that this needs work.”
“A lot of it,” Lecter echos, eyebrows raising.
“Most of it,” Will says, a bit grudgingly, and Lecter’s faint smile makes another appearance.
“Then, Mr. Graham, I look forward to working with you.”
Then Hannibal invites Will up the street to dry his clothes and “see his manuscripts,” heh heh
uuuuuugh there are so many ways I imagined this prompt going and none of them were as entertaining as this!!!! you are awesome and i love it and thank yooooou!!!
#how about if one of will’s other authors is freddie #and when she tries to commiserate with hanniabl over how much of an asshole graham is #she is instead met with the portrait of a man infatuated
YOU KNOW IT
and finn/poe in 34 kthnxseeutomorrowbai
(x) 34.
meeting at a masquerade ball au
“Hey. Hey!” someone hisses.
Poe stirs, then twitches violently as he realizes there’s a figure looming over him. It’s hard to make out details; the light above the table is off, and at some point in the during his last session with the First Order’s intelligence officers, blood had seeped down and congealed around one eye. He blinks, and the gummy lid comes slowly unstuck.
“Are you Dameron?” the figure demands, bending closer. “The pilot?”
“… who’s asking?” Poe whispers, hoarse and sore. He’s honestly curious, because either the Order has finally succeeded in breaking his mind, or there’s a man in a Teutonic knight’s helmet and chainmail hauberk accosting him.
“That’s not important,” the knight says impatiently. “I’m here to get you out.”
“You what?” Poe mumbles, but the knight is already kneeling down to yank at the straps keeping his ankles tied to the table. “Wait, seriously?”
“Yeah, seriously,” the knight says, and stars he sounds young. But Poe’s legs are coming free, then his shoulders, and then there are mailed hands under his shoulders pulling him off the table and onto his feet. When his knees buckle, there’s an arm around his waist to hold him up. “Listen, I need you to—”
There’s a burst of sound from somewhere above them as a door opens, jaunty music and raucous laughter. The knight freezes in place, and Poe does too, staring at the stone steps that lead into the dungeon where a long shaft of light has appeared.
There are footsteps, and the door closes again. The light disappears. It’s quiet for one second, two, and against Poe’s side the knight lets out a long, silent breath.
“What—”
“Look,” the knight says, turning to him. In the cold blue moonlight filtering in from the barred windows, Poe sees the shine of one dark eye in the slit of the helmet. The knight holds up an armful of dark fabric. “I need you to put these on, okay?”
“What?” Poe asks as the knight pushes it on him, hands coming up automatically. “Why? What going on?”
The fabric unfurls in a floor-sweeping cloak, which Poe can see the utility of, but there’s also a black domino mask and a broad-brimmed hat with a long feather plume in the band. Poe stares down at it a bit too long, and the knight snatches the mask from the top of the pile and pulls it down over his head.
“There’s a party upstairs, and we have to go through it,” he says, grabbing the hat next. “I just need you to follow my lead, okay?”
He thrusts the hat at Poe’s chest, and Poe slowly reaches out to take it. The cloak is heavy and warm, the cowl deep as he pulls it up and settles the hat on top of it. “Is that it?”
“Crap, you have blood on your face,” the knight says, a little panicky. His hand comes up, but stops as Poe flinches back.
“I’ll get it,” Poe mutters, ducking his head and wiping under his nose, across his mouth.
“Hey,” the knight says again, a little softer. “Look, it’s going to be fine. Everyone up there is drunk as hell and no one’s even guarding the hangar.”
“The hangar,” Poe says. “You need a pilot. You’re Resistance?”
“No!” the knight says. “Well, maybe. I guess, after this.”
“So you’re… defecting?”
The knight stares at him, then flings his arms out. “I’m trying to!” he says in a whisper-shout. “And rescue you! I was assuming you’d be on board with that!”
Poe laughs, a huff of noise that hurts his throat. Well, what has he got to lose? “Okay, kid. Lead the way.”
“I’m a stormtrooper, not a kid,” the knight says, and grabs his hand. “Come on, Dameron. We need to be gone yesterday.”
BOLEROATSO!
so
my dad’s cousin dave always wanted to be a hollywood scriptwriter, but had to give up on it after a year in LA and move back home to take care of the family farm and his aging parents. despite that and other personal setbacks, he still writes and directs his own little videos based on his life in west iowa (LIKE THIS ONE FOR THE DOG HE RESCUED IT’S SO CUTE), proving that even if your Big Dream falls through, you can still create and still be happy
anyway, please enjoy this v. v. soothing and well-edited video of a combine harvesting oats to ravel’s bolero, courtesy of cousin dave